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1943
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Born March 1, 1943 in Bridgeton, New Jersey, to poet and journalist Mary Frances Hobson and engineer, inventor, and boat builder Charles M.
Hobson, Jr.
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| 1960 |
Draws a series of student election posters based on cartoon figures from MAD Magazine and is elected student council president at Woodbury High School, Woodbury, New Jersey.
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| 1961 |
Attends Lehigh University in Bethlehem, Pennsylvania. Pursues studies in engineering and pre-theology before settling on a major in history.
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| 1964 |
In painting classes at Lehigh, experiments with acrylic paints, which have just been developed. Marries Sandra K. Snellman.
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| 1965 |
Wins McClain Meritorious Painting Award at Lehigh. Graduates with a BA in history and begins study at the University of Virginia Law School, Charlottesville, Virginia.
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| 1967 |
Takes painting classes in the UVA art department while studying at the law school and wins all-university art exhibition. Becomes cartoonist for the law school student paper.
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| 1968 |
Graduates from UVA Law School, moves to San Francisco, and joins law firm of Orrick Herrington Rowley & Sutcliffe as an associate. Birth of daughter, Mary Daniel Hobson.
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| 1970 |
Continues to paint and exhibit while practicing law and wins first prize in statewide exhibit sponsored by the State Bar of California.
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| 1972 |
Leaves the law firm and becomes counsel for ITEL Leasing Corporation. Birth of son, Parker Edward Hobson.
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| 1976 |
Co-founds Comdisco Financial Services with two others. Makes business trips with a set of watercolors and does a series of paintings based on hotel lampshades.
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| 1980 |
Begins study at the San Francisco Art Institute, first in ceramic sculpture with Richard Shaw and then in printmaking with Larry Thomas.
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| 1984 |
Friend Bruce Nelson dies of a heart attack. As a memorial to Bruce, Hobson and others publish a small book of Bruce's essays, which initiates his interest in books as an artistic medium. The artist Joseph Goldyne introduces him to the media of etching and monotypes and to master printer Kay Bradner, with whom he will work on numerous book projects in the coming years.
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| 1985 |
Enrolls in a seminar at the Bancroft Library at UC Berkeley focused on the historical context of the handmade book. Leaves Comdisco Financial Services to devote full time to studio art.
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| 1988 |
Completes Flaubert & Louise, his first limited edition book under the Pacific Editions imprint, co-published with Limestone Press. Graduates with a BFA in printmaking from the San Francisco Art Institute and wins the printmaking department award.
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| 1989 |
Completes an artist-in-residence fellowship at the Djerassi Foundation, Woodside, California and wins a Jerome Fellowship at KALA Institute, Berkeley, California.
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| 1990 |
Begins teaching about artistÕs books in the Printmaking Department at the San Francisco Art Institute, where he will continue teaching until the present. Alice Shaw begins assisting with constructing and editioning his books and continues to do so to the present.
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| 1991 |
Chronicle Books publishes a trade edition of his limited edition book Leonardo Knows Baseball. This begins his association with Chronicle Books which will result in publication of the trade editions Parisian Encounters (1994) and Seeing Stars (2001).
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| 1992 |
Completes a series of large monotypes of famous couples who met in Paris, which are exhibited at the Olga Dollar Gallery, San Francisco; the Roy Boyd Gallery, Chicago; and the San Jose Museum of Art, San Jose, California.
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| 1993 |
During the early 1990s he meets regularly for portrait drawing sessions with a group of artist friends that includes Kay Bradner, Martha Cook, Joseph Goldyne, Richard Shaw, and Larry Thomas.
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| 1995 |
Captivated by the eighteenth-century search for longitude at sea, he produces a series of books that combines the topic with Surrealism. The work is exhibited at the Dorothy Weiss Gallery, San Francisco, and the Getty Center, Los Angeles, which acquires four books.
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| 1996 |
Composes images and writing for an artistÕs book entitled Shipwreck Stories which is exhibited at the California Historical Society, San Francisco and at the Museum of Art and History, Santa Cruz, California.
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| 1997 |
Receives a residency, sponsored by Michael and Judy OÕShea, to work at La Pilande Basse, Plaisance, France, where he completes the design of Andromeda Imagined.
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| 1998 |
Curates an exhibition entitled Art Making Book Making Art at the San Francisco Center for the Book and also organizes a companion symposium at the San Francisco Art Institute focusing on artistÕs books by Manuel Neri, William Wiley, Inez Storer, Linda Connor, and others.
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| 2000 |
Participates in the artist-in-residence project sponsored by Xerox PARC at the Tech Museum in San Jose, California, where his access to a laser cutter leads to two books, Dancing with Amelia and Anotaci—nes.
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| 2002 |
The Bolinas Museum, Bolinas, California, organizes a retrospective exhibition of his artistÕs books entitled Why I Love Books and publishes a full color catalogue. Over the next four years the exhibition travels to the University of Washington, the University of Virginia, the University of Utah, and Louisiana State University.
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| 2004 |
Participates in Hearts in San Francisco, a project benefiting the San Francisco General Hospital, for which he creates a six-foot-tall heart covered with books of poems by school children about the heart and love.
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| 2005 |
Completes a limited edition artistÕs book based on The Mappist, a short story by Barry Lopez, with whom he has completed several earlier projects including Anotaci—nes and The Near Woods.
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| 2006 |
Travels to London to research details about Admiral Nelson for the book Nelson & Emma to be published in 2008. The British Library acquires Adam & Eve and joins a list of distinguished collections holding his work including the Whitney Museum, the Museum of Modern Art (New York), the National Gallery and the New York Public Library.
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| 2007 |
Stanford University Libraries acquires HobsonÕs archive, which includes working drafts, ideas, prototypes, photographs, monotypes, prints, and production materials for all of his artistÕs books. The gift is accompanied by the purchase of eighteen of HobsonÕs artistÕs books not previously owned by StanfordÕs Special Collections, establishing a complete collection of his published works. Planning commences for Experiments in Navigation: The Art of Charles Hobson.
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